Results – review #sydfilmfest

Results is a dud film. I wanted to see it. It seemed to have good reviews, but it is a shocker. Even actors with records like Guy Pearce and Giovanni Ribisi could not save it. I cannot think why they would have done this film, other than for the money. I think it attempts to be clever about personal trainers, gym culture and people in modern society, but it fails on all accounts. The screen play is both awkward and clumsy and the film contains too many pregnant moments that lead to nothing. It isn’t at all entertaining and the dialogue is terrible. It just fails at story telling. No. 1/5

11-808 & Conversations : Artist-in-Residence, 2014

11-808: Visualising the Library's Retrieval System (screen) 1

Elisa Lee and Adam Hinshaw partnered as the UTS Library Artist-in-Residence for 2014. Works from this Residency are now prominently displayed in the UTS Blake Library in Haymarket, Sydney.

Their brief was to provide an artistic interpretation of the UTS Library Retrieval System (LRS). Their resulting major work 11-808 is a live data visualisation that interprets the use of the LRS in real time. The purpose of the entirely underground system needed to be communicated to a wide audience, illustrating how the system was being used and demonstrating its value to the UTS community. The brief was extremely challenging, with a tight budget and deadline, but Elisa and Adam’s work has exceeded expectations.

The result is an elegant and poetic display of data that shows how this system is being used and, via the catalogue of library metadata, the dynamic movement of collections around the Library ecosystem. Through their artists’ perspective, beauty and the interaction of colour, Elisa and Adam have conveyed meaning and understanding to an extent that I think Joseph Albers* would have approved.

They also provided a playful sound installation, Conversations, that explores the random nature of the ways books are stored within the 11,808 steel bins of the LRS, arranged only by spine height. Here they have provided audible “conversations” between the books in selected bins.

Their work is artistically beautiful, superbly designed and technically very clever. Both works are eloquent in conveying meaning as well as exploring and highlighting the nature of this system. In doing so they have provided attractive and engaging works that appeal to the curiosity of Library users and that speak to them in very contemporary language.

* See also https://www.lib.uts.edu.au/news/304412/colour-on-concrete-exhibition

Slow West – Review

The State Theatre in Sydney is a pretty large facility and I think we were sat way too far back in the stalls to fully appreciate the wonderful visuals in this film. The storytelling style is very different from the usual “western” and I thought that quite a few of the scenes were almost surreal. Deliberately so in my opinion.

At 84 minutes it is not a long film and I think it wastes some time setting up too much of a mood and developing characters who were not that complex. This left some flat spots and made the film, as a friend of mine said, rather episodic. It greatly improves towards the end as it gathers pace and heads to its conclusion. I am not sure the visual joke in the penultimate scene was really needed, but I still laughed along with it and as I said, I think the film makers enjoyed being different.

The acting by the main characters played by Kody Smit-McPhee, Michael Fassbender and Ben Mendelsohn is solid.

I thought it was above average, but I was expecting more and it wasn’t consistently good, so just a 3/5.

We Are Still Here – Review

My first film for Sydney Film Festival 2015. It was billed as a “chiller”. Apart from the awful late 1970s clothing and serial killer glasses that one of the fathers wears, it isn’t that horrific. Maybe that’s a good thing. I think it is also a film that isn’t too proud to have a bit of a laugh at its genre, especially towards the, rather bloody, end.

Some of the actors were much stronger than others. I enjoyed the cute tie-in that closed the film.

It was an entertaining night out with friends, but nothing really out of the ordinary, so just 2.5/5 from me for this one.

My picks (I guess) for Sydney Film Festival 2015

SFF2015

Yes, it is that time of year again. As Jack Thomson nearly said last year: “In the dark, we share our germs.”

Well, these are the films I’ve bought tickets for anyway. There were a couple that I’d like to see but couldn’t because they sold out or clashed with something else I had on. I did want to see Holding The Man, but I figure it’ll get a general release soon. It sold out as I was making our bookings. As my program was pretty long I decided not to try to see The Secret River as we will get to see it soon on TV.

I try to organise a big group of people and we bulk purchase tickets to get a good price. It is a bit like herding cats, but worth it in the end. Sometimes I am going with friends, sometimes alone. I generally take a few days off to enjoy the festival too, so whilst it looks a little ambitious, I’ll be on leave for much of it. So here we go with this year’s schedule:

We Are Still Here. Who doesn’t like a decent chiller? And this session is conveniently in Newtown.

Slow West. A western. With Michael Fassbender and Ben Mendelsohn. It won an award at Sundance. And Kodi Smit-McPhee is supposed to be the next big thing.

Results. Because Guy Pearce.

Mr. Holmes. I love Sherlock and a good mystery. Also, Ian McKellen is coming along nicely as an actor.

Vincent. I love many French films and I’m also a fan of the supernatural in film. So mixing the two could be magic. Or it might be a disaster.

99 Homes. A thriller. Even if it is no good, we still get to look at Andrew Garfield for 112 minutes. Although, he does seem to be sporting a silly beard …

600 Miles. Another thriller. I think Tim Roth is always good and a little under-rated as an actor. My kind of story, so it should be enjoyable.

The Tribe. Sex scenes! And violence. No, really I buy it for the articles. Well it has won heaps of awards and there is no dialogue.

Spring. A romantic drama with some mayhem. Who could resist that? Also, it is being screened in Newtown.

Victoria. A thriller set in Berlin. We have one spare ticket and I love Berlin, so I may go to this.

Phoenix. A post-WW2 mystery: another genre that I love.

54 (Director’s Cut). The unsanitised homoerotic version. It is being shown in Newtown.

The Invitation. Because Horror. And its being shown in Newtown.

A Second Chance. Yet another thriller, from Denmark. Stars the Kingslayer (aka Nikolaj Coster-Waldau).

German Angst” (a trio of films: Final Girl, Make a Wish & Alraune). Because sex, death & supernatural forces.

I usually try to write up short reviews, especially if I think the film was worth seeing (or not).

Recent readings on open access and academic publishing (Part 2)

Photograph Archaeology of Bathing by Mal Booth on 500px

Archaeology of Bathing by Mal Booth on 500px  (public art, because I don’t like cats)

And so dear friends, Part 2 begins … having finished my sandwiches (as Gerard Hoffnung would say).

Do we really have a problem with low quality academic journals? This post by Witold Kieńć from openscience was made in late January, but I only found it this morning. He discusses the problems surrounding the hunt for better impact factors and the imperative to publish or perish in order to improve academic reputation. Witold asks whether low quality journals are really that much of a problem, but recognises the issue with predatory and poor quality journals. Whilst some see the latter as a waste of public money, Witold says they do no harm to knowledge development. Furthermore, if such publications are blocked we may well be preventing the development of excellent quality journals for years simply because they are new or innovating in new ways. Witold says the “noise” created by such journals can easily be filtered.

John Dupuis gathers and briefly analyses even more material on a similar subject in ScienceBlogs with his post Some perspective on “predatory” open access journals. John sees the need for more balance in reporting about predatory journals and more pressing issues in scholarly communications (i.e. flaws and limitations in the peer review system and the far more predatory traditional publishing system that is responsible for the big paywalls). He presents links to other resources discussing the major issues with a need for reform of peer review and to cases of significant retractions or scientific fraud that got past peer review in traditionally published journals. Finally he presents some very interesting links to articles since early 2014 that point out the ways the major commercial publishers are still controlling scholarly publishing and charging enormous amounts of money for it, even open access material.

A related article that I read only recently was published by the Huffington Post late in 2014. It was written by Jason Schmitt and titled Academic Journals: The Most Profitable Obsolete Technology in History. Jason highlights the unsustainable and unaffordable nature of the current publishing system for academic journals. “In contrast to the exorbitant prices for access, the majority of academic journals are produced, reviewed, and edited on a volunteer basis by academics who take part in the tasks for tenure and promotion.” This costly system causes problems for even the wealthier institutions like Harvard, but he says it wreaks havoc on smaller US institutions. (And I can assure you that it is just the same for Australian institutions.) Steep prices are further compounded by big deals and costing models where institutions are forced to buy packages including many titles that will never be used. The article questions whether we now need journals as they were traditionally conceived, i.e. in the days of print publishing. He suggests that a digital revolution is now possible for academic researchers which would remove most costs from the current system and be more suited to digital publishing and hosting. One major problem with this brave new world is the conservative nature of most academics who still seem to be quite comfortable with the current environment. But funding heavy weights such as the US NIH and the Bill and Melinda Gates Foundation are throwing their support behind open access and this could point to change. Finally, Jason points out “we, the people, deserve access”.

I’ll finish Part 2 with a link to a short film about the Hague Declaration that is to be launched on 6 May in Brussels. This declaration is still in draft form (so you won’t be able to read and sign it until after it is launched), but it aims to improve access to facts, data and ideas for knowledge discovery in the digital age, so it nicely connects to the sentiments expressed by Jason above. Their aim is to remove the barriers to access and analysing knowledge and data. The short film about it can be viewed here: https://vimeo.com/118462366  I think this is something all librarians should get behind.

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Recent readings on open access and academic publishing (Part 1)

Hello Sports Fans!

I’ve been reading a few pretty thoughtful and useful articles of late about open access publishing, traditional academic publishing and what might be wrong with and improved in these systems. So, I decided to bring all the links together here and offer you a wee comment on each for your viewing pleasure …

Firstly and perhaps most importantly there is this short article from Dr Sarah Kendzior who has left academia: Lip-Syncing to the Academic Conversation . Here she points out that only the privileged few have access, even if they’ve actually written the article or been cited by someone else. As she says “academia is an industry designed on insularity”. Maybe this can only truly be understood from outside our walls? She also points out that the relentless pursuit of career goals and value for money has led to us forgetting what should be a most basic goal: the furthering of knowledge.

More recently via techdirt I saw this article that makes a point not so far removed from Sarah’s gripes above: Don’t Think Open Access Is Important? It Might Have Prevented Much Of The Ebola Outbreak. It goes on to claim that the conventional wisdom about the non presence of the Ebola virus in West Africa before 2013 was wrong because the most up-to-date research was locked away behind paywalls and that the download charges were unaffordable even to the Liberian co-authors of some of the research. . It is a long bow to draw to suggest that the crisis might have been completely avoided if the research was freely available, but still …

Prof, no one is reading you was published less than a week ago in The Straits Times as an opinion piece. The authors say that an average academic journal article is fully read by about 10 people. They suggest (as I did recently) that authors need to start combining some short form journalism with this long form research to promote their research in order to get it read more widely. Furthermore the authors say that 82% of humanities articles are never cited, whilst only 68% of the social sciences and 73% of the of the natural sciences receive citations. They also complain about the sheer volume of material and jargon that one has to wade through in most articles. This is needed if that research is to have any impact at all with policy makers and practitioners and they give some very illuminating examples of why this is such a problem with key research into resources like water. It certainly made me think. And here is some further research from LSE into those poor citation rates (which seems to back up the figures used above): Are 90% of academic papers really never cited? Reviewing the literature on academic citations.

The authors of that article would probably applaud two recent posts from PLOS blogs. Firstly, there was How Articles Get Noticed and Advance the Scientific Conversation, which illustrates and explains the importance of social media in promoting research articles and in engaging with readers. And secondly there was Ask our authors anything: new PLOS ‘AMA’ series debuts on redditscience. So PLOS has started using that popular reddit Ask Me Anything series to help explain the science behind their research articles. I reckon this is F A N T A S T I C!

And just to further the point re promotion of research, openscience has a handy series of four posts starting at How to promote an Open Access book? Part 1: Networking. (The next three on Abstracting and Indexing, publisher’s brand and the traditional ways are linked from that first post.)

That’s all for my Part 1. I’ll give you all a little break now for being such good readers. Smoke if you’ve got them …

Reinventing University Publishing – my perspective

This is the presentation I gave as part of a panel representing the perspectives of Open Access publishers in Australian universities, in my case UTS ePress.

PDF version on Google Drive

And here is a PDF version with my speaker’s notes:

UTS ePress future (notes)

My place in time – photo project

Featured image

https://flic.kr/p/qa6pXt

So I ran across this project via the twitter and decided to give it a go: https://blackcurrantphotography.wordpress.com/the-my-place-in-time-photo-project/ Currently I’m posting my images to Tumblr via Flickr (as I didn’t want to re-caption the Flickr originals).  In order to keep track on my progress, I’ll progressively add links to the content I’ve uploaded against Kell’s list below: The list.

  1. The price of fuel/petrol.
  2. A mode of transportation.
  3. Teenage wasteland – use your common sense when photographing kids that aren’t yours.
  4. A small business.
  5. A view you pass on your way to work. And here too.
  6. Construction And here too.
  7. Destruction
  8. Something that was here 10 years ago.
  9. The corner shop or deli – basically anywhere you run to if you need something late at night.
  10. Where I go to relax.
  11. I can’t believe the news today.
  12. My favourite restaurant.
  13. What arrived in the post.
  14. A local service – think delivery/post/bin collection/ranger.
  15. People playing sport.
  16. An outing with friends (with the background in shot).
  17. Somewhere I used to visit as a kid.
  18. A handwritten note from someone I love.
  19. Something that was here 20 years ago.
  20. The end of the day. And here too.
  21. What I can see from my window. And here too.
  22. A river view.
  23. The price of a cup of coffee.
  24. Something I’ve never seen before – this can include a place.
  25. How we communicate.
  26. A view with train/rail lines in it.
  27. My favourite thing to drink – make sure the label is in shot.
  28. The receipt for something I bought today.
  29. Three O’Clock in the afternoon.
  30. How I tell the time – I know most of us use our phones these days. Be creative!
  31. Graffiti – If you can see the artist’s name please credit them. And here too.
  32. A sculpture.
  33. Nothing but trees.
  34. This sign makes me laugh.
  35. The view from somewhere high up.
  36. One kilometre from my house.
  37. The view from the end of my street.
  38. I’m in a supermarket.
  39. A ticket.
  40. A trip to the movies/cinema.
  41. What’s showing at the movies.
  42. This week’s music chart.
  43. Something old.
  44. A busy intersection – Do not take this whilst driving!
  45. Authority – Police, security, someone in a position of power. Be respectful and don’t get in the way.
  46. On my way to work/school.
  47. I wish this place had never changed.
  48. Ten dollars in my currency – this will be more interesting if you use change.
  49. I had to stop the car and take a photo.
  50. Somewhere I used to live.
  51. Someone outside your family/group of friends that you would miss if they were gone.
  52. This place has been here for my whole life.
  53. If I had kids I would want to take them here.
  54. Somewhere I visited with my first love.
  55. Out on a date – if you are single then photograph a date with friends or family.
  56. Power / electricity.
  57. A neon or electric sign.
  58. A concert or show poster.
  59. Somewhere I visit every day – not the toilet!!!
  60. A postcard – why not buy it and send it to a friend?
  61. Postage stamps from my country.
  62. Postage stamps from another country.
  63. I wish I didn’t have to pay this bill!
  64. A car I would love to own. And here too.
  65. The car I do own (or bike/scooter etc). And here too.
  66. Where all the cool kids go.
  67. It’s show time – interpret as you wish.
  68. Somebody’s special day.
  69. A photo from the coast.
  70. To market, to market.
  71. Fresh produce.
  72. A local playground – Again, use your common sense. Photograph your kids or a friends or wait til nobody is there. Don’t be creepy.
  73. Education.
  74. If I had a permanent marker, I would correct this sign.
  75. Road work.
  76. Somewhere I belong.
  77. Somewhere I don’t belong.
  78. My local library.
  79. Waiting for a bus.
  80. This week’s trashy magazines.
  81. I bought a Lottery ticket.
  82. An old painted sign on the side of a building.
  83. The view from the passenger’s seat. And here too.
  84. Some groceries I bought this week.
  85. Where I was at 11:11 am.
  86. Where I was at 11.11pm.
  87. A car numberplate.
  88. A shop that’s no longer open.
  89. This place is for sale.
  90. Coca-Cola. – It’s been around for most of our lives. Let’s see how it looks around the world.
  91. The price of a Big Mac at McDonald’s.
  92. On the way to the airport.
  93. Out on a bushwalk / hike. And here too
  94. Only in my country.
  95. Absolute junk.
  96. Street lights.
  97. Friday afternoon.
  98. How I spend Sunday morning.
  99. Someone I’ve just met.
  100. My place in time – any photo at any time of the day that describes how you feel with life.

Are libraries Blockbuster in a Netflix world?

I read this earlier today via Zite, over breakfast at a cafe near our library:

http://www.digitaltonto.com/2014/a-look-back-at-why-blockbuster-really-failed-and-why-it-didnt-have-to/

It talks about the demise of Blockbuster and the rise of Netflix. Blockbuster made some dumb business decisions and ignored some possible ways to stay afloat, but the author Greg Satell talks about the importance of networks in Netflix’s rise. Blockbuster’s failure to understand the importance of networks also determined their fate. He says that those networks are very difficult to quantify or define, but that we’ve not really tried to understand their importance.

Even though we may work in a much smaller ecosystem (e.g. our library serves a University community), I really believe that our own future strongly depends on what we do within, and how we encourage and contribute to, our own networks. That is why I keep stressing the critical nature of engagement and the fact that everything we do is somehow connected to something else we do. Virtually nothing we do in libraries can actually be sustainably successful if we do it in isolation. I think the chase for efficiency in libraries has actually encouraged silos to develop and this works against those connections we must have within libraries. So far I think we* actually understand this and we actively seek to connect within and to those outside the library pretty well, but it is something we cannot ignore and that we must continue to invest in. The networks we participate in, encourage and contribute to have a positive effect on the development and relevance of our library and we should make them major considerations in all we do. To quote from Greg Satell @digitaltonto :

… we really haven’t scratched the surface on the networks we encounter in real life: The networks of consumers that make up our brands and industries as well as the organizational networks that determine how things get done—or don’t get done—in our enterprises.

And it’s imperative that we start thinking about them more seriously.  We need to stop acting as if there is a recipe for business—like a cake or a casserole—and start thinking in terms of how factors are connected.

I am now going to take this analogy a little further… I think the focus of libraries should already be moving from being all about the collections we develop and provide access to, measured mostly in size of collections and numbers of visitors, to the unique collections (of both knowledge and culture) that we help to create and then share with our networks. That, as Greg said, is something that is harder to define and measure. Of course the other key advantage that all libraries have, even in universities, is that they are cultural institutions. Culture provides context for all knowledge, but flourishes within libraries only when it is kept alive.

* UTS Library