The film begins with a gang of Eastern European boys working Gare du Nord train station in Paris. It looks as though they’re hustling and involved in petty theft, maybe even more. One of the boys is cruised by very determined middle aged man who eventually invites him home, a day later. That turns into a really threatening home invasion by the whole gang who steal virtually every possession he has that they think they can sell on. The gang are led by “Boss” who is played superbly by Daniil Vorobyov. His threatening character looms large over almost the entire film even though he only appears at the beginning and end of it.
Daniel is the older man, realistically played by Olivier Rabourdin and after the home invasion he is visited by the sheepish boy he cruised, Marek (whom we later learn is really Rouslan) played by Kirill Emelyanov. Marek feels guilty about the invasion and whilst his first visits with Daniel are all about sex for money, the pair develop a friendship and eventually love grows, but probably not as you would have thought. This obviously causes tension between Marek and the gang and that comes to a head towards the end of the film.
The film deals thoughtfully with both gay male sexuality and the Eastern European immigration issues that seem familiar in many large European cities.
Eastern Boys certainly leaves the usual multiplex material for dead. 4/5
I saw this at its premier in the Dendy Opera Quays. William was there as were many of those featured in the images like Kate Fitzpatrick and Jenny Kee. George Gittoes was there too representing those from the Yellow House years who could not attend (like Martin Sharp) and those who had passed like Brett Whiteley. I caught up with George after the film as we had spent some time together in Iraq a few years back. He told me he was just back from Afghanistan and introduced me to a friend who was curating an exhibition of his work from those years. So, back to the film …
It is a film that documents one of his live performances, in this case 10/11 “My Generation”. I saw this live in Carriage Works back in 2009 I think and I still love it. I really like the way he carefully provides just enough context for his photographs, preferring to let his images talk for him. William has documented a fascinating period of Australian cultural (and gay) history that features those named above as well as many other significant figures including Patrick White, Jimmy Sharman, Rex Cramphorn, Little Nell Campbell, Margaret Fink, and Linda Jackson. This film is a visual potted history of that part of Sydney in the 80s and 90s.
I think it is wonderful and I think it is also being broadcast on ABC TV on 16 June, so don’t miss it. If you’ve not seen one of his performances and can remember the 80s and 90s it will ring many bells.
5/5 because I loved it and I think William is a national treasure.