The Endless River – review #sydfilmfest
The Endless River begins by rolling screen credits in almost sepia tones and a typeface that are both reminiscent of most of those old Westerns from Hollywood. I wasn’t sure why. Perhaps because that is where the director, Oliver Hermanus, thinks that South Africa is up to with respect to racial integration and the development of a moral code beyond an “eye for an eye”? It certainly made me think. (Possible spoilers ahead.)
We are soon introduced to the two lead characters: Tiny (Crystal-Donna Roberts) whose husband Percy (Clayton Evertson) has just been released from a four-year prison stint for gang activity; and the Frenchman Gilles (Nicolas Duvauchelle) who suffers the loss of his entire family in a brutal home invasion, rape and series of murders at their farm. Many seem keen to think that Percy was involved in these murders and a local policeman gives Gilles far too much of a tip about the possibility of his involvement, and Percy too is killed on his way to rob the farm that has been isolated as a crime scene.
Things are moving along very quickly in these two opening chapters and just when we are wondering whether naughty Gilles was involved in Percy’s murder as an act of revenge, he and Tiny become involved. I thought it was quite engrossing up to this point.
Disappointingly, it all gets a bit lost and self-indulgent in the third and final chapter, like the film has become bored with telling its own story and more fascinated by the scenery that the two lead characters escape to. This soon became boring to me. There are some short flashbacks to what look like headlights in the rain and Gilles standing over something, but to me it isn’t enough to conclude that Gilles took his revenge on Percy who, it turned out, wasn’t involved in the murder of Gilles’ family.
Then, with Gilles and Tiny still on their escape and processing their thoughts, it all concludes. Without a real ending. DIY. Again. Nooooooo! A cardinal sin in a story like this in my opinion. GIVE ME AN ENDING.
Good in part, but ultimately not at all satisfying.
My Bruce McAvaney Specialness Rating*: 3/5 (Not especially special.)
Good summary of the film