For a couple of months now I’ve been digitising the magazines of Tattersall’s Club, Sydney (I’m a member). They let me take the scanner and a lot of magazines home during the Covid19 lockdown.
Recently, I’ve been working my way through the Second World War issues and on Friday 24 April 2020 I came across the February 1944 magazine that had a short article about the remarkable O’Riordan family from Sydney, two of whom were Tattersall’s Club members. I dug these details of their service mostly out of various online databases and archives from the Australian War Memorial.
Four members of the O’Riordan family served in both the First and Second World Wars. All are related to Tattersall’s Club member John O’Riordan :
John’s brother Dr Sydney Michael O’Riordan, MC served as a Captain and then Major with the Australian Army Medical Corps (AAMC) in the First World War. He was awarded his MC in 1918 for:
conspicuous gallantry and devotion to duty. During then later stages of an advance, when the infantry were under heavy fire, he established his aid post in an advanced position, and dealt very rapidly with the casualties. His initiative and coolness under heavy fire were an inspiration to all who came in contact with him.
He was serving as a Captain attached to the 13th Infantry Battalion in France. He again served as a Major with the AAMC in the Second World War between July 1941 and February 1942, attached to the 3rd Infantry Battalion. He died at Redfern in 1944.
Another brother of John, 403397 Flying Offr. Clifford Timothy O’Riordan was an Air Gunner with No 460 Squadron*, RAAF was killed in a flying battle over Germany on 30 July 1943. He is commemorated in the Becklingen War Cemetery, Luneburg, Germany and his name can be found on panel 108 of the Roll of Honour at the Australia War Memorial (AWM), Canberra. His name will be projected onto the exterior of the Hall of Memory on 12 May 2020 at 2:41am and on 3 August 2020 at 2:55am. He was a Tattersall’s Club member and had been admitted to the NSW Bar before enlisting in 1941. His own war diaries are held by the AWM and they’ve now been digitised. You can read a description of those diaries and also view or download them via this link: https://www.awm.gov.au/collection/C89812
One of John’s sons, NX113095 Sgt. John Michael O’Riordan served with the 1st Papuan Infantry Battalion, Australian Army. He was killed in action in New Guinea on 25 November 1943. John’s name is located on panel 76 of the Roll of Honour at the AWM. His name will be projected onto the exterior of the Hall of Memory on 2 June 2020 at 12:42am and on 2 August 2020 at 2:34am.
Another son was NX87133 Gunner James Clifton O’Riordan who served in the Army from February 1942 until December 1943, after which he transferred to the RAAF where he served as a 443862 Flight Sgt J.C. O’Riordan until October 1945.
I reckon that is very sad but also truly remarkable for the one family.
* Some hours after initially posting this I realised that 460 Squadron, RAAF was familiar to me. It was first formed as a heavy bomber unit in 1941 and is commemorated at the Australian War Memorial by the famous Avro Lancaster bomber “G for George”. 460 Squadron flew as part of RAF Bomber Command and was a multi-national unit with most of its personnel being Australian. It flew the most sorties of any Australian bomber squadron in the RAF bombing campaign against Germany and Italy, but lost 188 aircraft and suffered 1,018 combat deaths, 588 of whom were Australian. RAF Bomber Command represented only two percent of total Australian enlistments during the Second World War, but accounted for 4,136 fatalities (3,486 killed in action and 650 in training accidents). RAF Bomber Command sustained Australia’s highest casualty rates in the Second World War.
Billed as a mystery, I thought Phoenix was more of a complex exploration of forgiveness, love, betrayal and rebuilding in Berlin immediately after the Second World War. It moves at a gentle pace, allowing tension to build and this is very skilfully accomplished. We are left asking all kinds of questions about the reasons and motives for betrayal, and then perhaps wondering what we’d have done in the same situation. How much does true love influence forgiveness? And ultimately, are there limits to this kind of forgiveness?
It is easy to see the successful rebuilding of Berlin the city and now it is almost impossible to imagine the post-war destruction that obliterated some districts, but what of the people? How long does it take to heal, forget or forgive those wounds and losses? A generation or more? Phoenix made me think about all of this more deeply than my most recent visit to Berlin late last year.
The film is very well produced and presented and the story keeps you guessing right up to the end. It certainly didn’t end as I had expected and maybe that tells you something about how you might have reacted if faced with this kind of moral dilemma.
Everybody I spoke to thought highly of this film. Very well done. 4/5
Praxis Makes Perfect, a set on Flickr.
This is a set of images from one of the 2013 Vivid Sydney Light installations in Walsh Bay.
I loved it and watched the whole sequence one night snapping as many images as I could. The animations and graphics are brilliant and they are my favourite for 2013 of the whole Light festival, big and small.
I thought this before I found out anything about the work itself and a couple of days later I was amazed to see that the whole piece has been put together by 2nd year animation students from the UTS Faculty of Design, Architecture and Building.
The work was full of content and a fantastic demonstration of visual story-telling. It explores the 12 principles that underpin animation and features the historical figure Mary Reibey, a former convict who went on to become a successful businesswoman in early colonial Sydney.
The beautiful musical piece accompanying this animation was played by Peter Hollo using a cello in some different ways. You can hear it on his blog.
I found out from Damian Gascoigne (who with Deborah Szapiro lectures on this course), that once given the go ahead after pitching a proposal to Vivid, the students had only eight weeks to get it all done.
It was wonderful to see the great work of UTS students and academics being showcased so publicly.
I saw this at its premier in the Dendy Opera Quays. William was there as were many of those featured in the images like Kate Fitzpatrick and Jenny Kee. George Gittoes was there too representing those from the Yellow House years who could not attend (like Martin Sharp) and those who had passed like Brett Whiteley. I caught up with George after the film as we had spent some time together in Iraq a few years back. He told me he was just back from Afghanistan and introduced me to a friend who was curating an exhibition of his work from those years. So, back to the film …
It is a film that documents one of his live performances, in this case 10/11 “My Generation”. I saw this live in Carriage Works back in 2009 I think and I still love it. I really like the way he carefully provides just enough context for his photographs, preferring to let his images talk for him. William has documented a fascinating period of Australian cultural (and gay) history that features those named above as well as many other significant figures including Patrick White, Jimmy Sharman, Rex Cramphorn, Little Nell Campbell, Margaret Fink, and Linda Jackson. This film is a visual potted history of that part of Sydney in the 80s and 90s.
I think it is wonderful and I think it is also being broadcast on ABC TV on 16 June, so don’t miss it. If you’ve not seen one of his performances and can remember the 80s and 90s it will ring many bells.
5/5 because I loved it and I think William is a national treasure.