Call Me By Your Name is a gay romance set in Italy. It is gently paced and beautifully set, but I think it runs far too long.
In the clip above you get a good feel for what is not so great and what is great about this film. Armie Hammer first talks about his own reaction to portraying male-to-male sex and then his younger less experienced partner in the film, Timothée Chalamet, really gets to the heart of what makes this film of the celebration of love special – the complete “lack of a violent oppressor or deterrent to this love”. Armie’s character in the film is ultimately uncomfortable with himself, but I think his portrayal also lacks the multiple dimensions that Timothée brought to his role.
I agree with Jordan Hoffman from The Guardian who highlighted the very supportive father-to-son exchange towards the end of the film. It is a wonderful moment and reinforces what Timothée says of the film above. Beautiful, but a little long. 3.5/5
God’s Own Country is a wonderful film from the UK. It is reviewed and promoted as a British version of Brokeback Mountain, but it is actually much better than that film. I loved everything about this film right from the start: the setting in Yorkshire; the stoic nature of the locals; the cast and their acting; the cinematography; the story-telling; the tenderness of the developing romantic relationship between the two guys; the presentation and direction of the film itself; the weaving in of archival imagery; and the realness of such a situation.
I can see the resemblance to Brokeback Mountain, but I found this film to be far more believable and I empathised a great deal more with the leading characters. I thought they were much less wooden in this film. The performances by Josh O’Connor and Alec Secareanu are amazingly good and starkly different. I hope we see a lot more from both of them. One of the best gay-themed movies I’ve ever seen. Beautiful. 4.5/5