For a couple of months now I’ve been digitising the magazines of Tattersall’s Club, Sydney (I’m a member). They let me take the scanner and a lot of magazines home during the Covid19 lockdown.
Recently, I’ve been working my way through the Second World War issues and on Friday 24 April 2020 I came across the February 1944 magazine that had a short article about the remarkable O’Riordan family from Sydney, two of whom were Tattersall’s Club members. I dug these details of their service mostly out of various online databases and archives from the Australian War Memorial.
Four members of the O’Riordan family served in both the First and Second World Wars. All are related to Tattersall’s Club member John O’Riordan :
John’s brother Dr Sydney Michael O’Riordan, MC served as a Captain and then Major with the Australian Army Medical Corps (AAMC) in the First World War. He was awarded his MC in 1918 for:
conspicuous gallantry and devotion to duty. During then later stages of an advance, when the infantry were under heavy fire, he established his aid post in an advanced position, and dealt very rapidly with the casualties. His initiative and coolness under heavy fire were an inspiration to all who came in contact with him.
He was serving as a Captain attached to the 13th Infantry Battalion in France. He again served as a Major with the AAMC in the Second World War between July 1941 and February 1942, attached to the 3rd Infantry Battalion. He died at Redfern in 1944.
Another brother of John, 403397 Flying Offr. Clifford Timothy O’Riordan was an Air Gunner with No 460 Squadron*, RAAF was killed in a flying battle over Germany on 30 July 1943. He is commemorated in the Becklingen War Cemetery, Luneburg, Germany and his name can be found on panel 108 of the Roll of Honour at the Australia War Memorial (AWM), Canberra. His name will be projected onto the exterior of the Hall of Memory on 12 May 2020 at 2:41am and on 3 August 2020 at 2:55am. He was a Tattersall’s Club member and had been admitted to the NSW Bar before enlisting in 1941. His own war diaries are held by the AWM and they’ve now been digitised. You can read a description of those diaries and also view or download them via this link: https://www.awm.gov.au/collection/C89812
One of John’s sons, NX113095 Sgt. John Michael O’Riordan served with the 1st Papuan Infantry Battalion, Australian Army. He was killed in action in New Guinea on 25 November 1943. John’s name is located on panel 76 of the Roll of Honour at the AWM. His name will be projected onto the exterior of the Hall of Memory on 2 June 2020 at 12:42am and on 2 August 2020 at 2:34am.
Another son was NX87133 Gunner James Clifton O’Riordan who served in the Army from February 1942 until December 1943, after which he transferred to the RAAF where he served as a 443862 Flight Sgt J.C. O’Riordan until October 1945.
I reckon that is very sad but also truly remarkable for the one family.
* Some hours after initially posting this I realised that 460 Squadron, RAAF was familiar to me. It was first formed as a heavy bomber unit in 1941 and is commemorated at the Australian War Memorial by the famous Avro Lancaster bomber “G for George”. 460 Squadron flew as part of RAF Bomber Command and was a multi-national unit with most of its personnel being Australian. It flew the most sorties of any Australian bomber squadron in the RAF bombing campaign against Germany and Italy, but lost 188 aircraft and suffered 1,018 combat deaths, 588 of whom were Australian. RAF Bomber Command represented only two percent of total Australian enlistments during the Second World War, but accounted for 4,136 fatalities (3,486 killed in action and 650 in training accidents). RAF Bomber Command sustained Australia’s highest casualty rates in the Second World War.
Xavier Dolan wrote, edited and directed this film and it won the Grand Prix at Cannes this year. Both Xavier and the film come to the Sydney Film Festival with a big reputation to live up to.
It’s Only the End of the World is based on Jean-Luc Lagarce’s play Juste la fin du monde. Gaspard Ulliel stars as Louis, a successful gay writer returning home after 12 years away, to inform his family of his impending death. We are given no further information on this. Gaspard’s performance is consistently strong throughout and he is well supported by Nathalie Baye, Marion Cotillard, Léa Seydoux and Vincent Cassel.
Despite its success at Cannes, I don’t think this play has been translated well enough for the big screen. The cast do a great job with the roles and material they’ve been given, but it simply isn’t a convincing portrayal of a family who are all extremely intolerant of each other, all the time. It may have worked well enough on stage, but I think I’d have been similarly frustrated and unconvinced.
Xavier Dolan does a good job of building the tension and works in time spent exploring Louis’ individual relationships with his siblings, his mother and his sister-in-law, but whenever they are all together the mood quickly disintegrates. They almost never stop talking at each other and poor Louis is never given much air time. We do really feel very sorry for him and he never quite gets around to passing on his tragic news. The film built to what I felt was an extremely emotional climax right at the end, but I left wondering whether this was actually cathartic for all (or any) in his family, or not. I think this was because some of the dialogue was either awkward or incongruous.
It is mostly shot indoors in quite dark light, with some very tight framing and music is well used for dramatic effect. Gaspard doesn’t say much, but he has a very expressive face and gives good tragic. There are some artistically lit interior scenes and a really beautiful lingering image of Louis when hugging his mother that is breathtaking on a big screen (you can see it from about 0:43 in the trailer above).
My Bruce McAvaney Specialness Rating*: 3/5 (Not especially special.)
The film begins with a gang of Eastern European boys working Gare du Nord train station in Paris. It looks as though they’re hustling and involved in petty theft, maybe even more. One of the boys is cruised by very determined middle aged man who eventually invites him home, a day later. That turns into a really threatening home invasion by the whole gang who steal virtually every possession he has that they think they can sell on. The gang are led by “Boss” who is played superbly by Daniil Vorobyov. His threatening character looms large over almost the entire film even though he only appears at the beginning and end of it.
Daniel is the older man, realistically played by Olivier Rabourdin and after the home invasion he is visited by the sheepish boy he cruised, Marek (whom we later learn is really Rouslan) played by Kirill Emelyanov. Marek feels guilty about the invasion and whilst his first visits with Daniel are all about sex for money, the pair develop a friendship and eventually love grows, but probably not as you would have thought. This obviously causes tension between Marek and the gang and that comes to a head towards the end of the film.
The film deals thoughtfully with both gay male sexuality and the Eastern European immigration issues that seem familiar in many large European cities.
Eastern Boys certainly leaves the usual multiplex material for dead. 4/5