This a podcast of an interview that I did with Corin the Librarian (@corinh) in Auckland. It was done a while back and I’ve only just had a listen to it. I’m amazed at how coherent it is. Maybe it is all due to Corin’s editing, or maybe it was someone else impersonating me!
Praxis Makes Perfect, a set on Flickr.
This is a set of images from one of the 2013 Vivid Sydney Light installations in Walsh Bay.
I loved it and watched the whole sequence one night snapping as many images as I could. The animations and graphics are brilliant and they are my favourite for 2013 of the whole Light festival, big and small.
I thought this before I found out anything about the work itself and a couple of days later I was amazed to see that the whole piece has been put together by 2nd year animation students from the UTS Faculty of Design, Architecture and Building.
The work was full of content and a fantastic demonstration of visual story-telling. It explores the 12 principles that underpin animation and features the historical figure Mary Reibey, a former convict who went on to become a successful businesswoman in early colonial Sydney.
The beautiful musical piece accompanying this animation was played by Peter Hollo using a cello in some different ways. You can hear it on his blog.
I found out from Damian Gascoigne (who with Deborah Szapiro lectures on this course), that once given the go ahead after pitching a proposal to Vivid, the students had only eight weeks to get it all done.
It was wonderful to see the great work of UTS students and academics being showcased so publicly.
This morning I sat down and watched this video about the art of visualisation. http://www.openculture.com/2013/05/the_art_of_data_visualization_.html It is introduced and rounded up by Edward Tufte. There are some excellent tips on how good design can help to tell complex stories. My apologies if this all looks a bit like teaching someone how to suck eggs. Those points made that rang a bell with me:
It isn’t a new art form. It probably started with mapping, centuries ago.
It is at least in part about pattern recognition as this is easier in the visual sense because our brains quickly recognise patterns. (I know some people who can easily do this in a sheet of numbers too, but that is another story. My Dad died recently and he was one of these people.)
It is important to recognise that it is also about emotions and that is where aesthetics play a big part.
Visual storytelling aids in comprehension.
Like any form of design, you must start by understanding deeply.
I liked the guy who said that clever and aesthetic design can “invite people in”.
There are important links between art and culture. Currently our former artist-in-residence (Chris Gaul) and I are busy agreeing with each other that there is really no difference between some great design and great art.
Good visualisation is about revelation; revealing things not seen or not easily seen.
Remember your audience, they are smarter than you think, so treat them with respect.
Know your content.
Finally I think Tufte himself makes the point that sometimes ambiguity is a good thing. It can also be about “unknowing”.
Cultural institutions should do more of this. It is far more effective than dull annual reports.
And below you can see one of my favourite examples of data visualisation by Irene Wellington:
Here is Part 1 of my reflective thoughts on MONA in Tasmania. Part 2 is here.
Theatre of the World (past exhibition) http://www.mona.net.au/past-exhibitions
Smith Journal http://www.smithjournal.com.au/
The Onion http://www.theonion.com/
Fender Katsilidis Architects http://www.fkaustralia.com/
My images of MONA on Flickr http://www.flickr.com/photos/malbooth/sets/72157633236587086