Category: Cultural institutions
Season’s Greetings!

Glædelig jul! I had lots of travel this year with visits to the US, Japan, Thailand and Denmark, and many concerts, both at home and overseas. So let’s get into it …
The year started at home in Sydney with my regular swim mob, Wednesday night trivia at the Carlisle Castle in Newtown and a lot of travel planning. I also played barefoot bowls for the first time at nephew Ben’s 21st. Our subscription to the Australian Chamber Orchestra’s 2025 season started in February with some Brahms and Beethoven’s 7th symphony.
In March I had another couple of relaxed weeks in Hawaii, just on Oahu, swimming in the ocean and using a new camera. There I stayed in a great airbnb apartment with ocean views and again caught up with my US friend Jamie and some of her friends in Honolulu including the fun Pam and her hilarious partner Grover. A few of us went to a Hawaiian themed Cirque du Soleil performance that I really enjoyed and I attended three great Beethoven performances by the Hawaiian Symphony Orchestra: his 5th, 8th and 9th symphonies as they were playing a festival when I was there. By booking well ahead of my time in Hawaii I was for the first time able to visit Doris Duke’s Shangri-la (now the Museum of Islamic Art, Culture & Design) on the other side of Diamond Head.
I was at home again in April and Easter was with sister Mez, her husband Phil, Jan, Brian and Gregor came down from Newcastle. I think my highlight for the year was the ACO’s simply amazing concert with the wonderfully energetic cellist Abel Selaocoe. This was almost a life-changing experience. He is so talented. May was more of the same for me with my regular routine and another ACO concert
I spent about three weeks visiting Japan again in June because I found it so fascinating last year. This year I took the Shinkansen fast train to Kanazawa on the west coast and spent a week there. My time coincided with the Kanazawa festival, so I saw the Kaga Yuzen Lantern Floating on the river beside my airbnb and the spectacular Hyakumangoku Parade which is the festival highlight. Kanazawa has some great restaurants, a very cute old tea district, a big old castle as well as their historic old Samurai district and one of the three most beautiful gardens in Japan: Kenrokuen Garden. They also have a great MCA and the famous DT Suzuki Museum that is a brilliantly designed contemplative space. After a week there I took the Shinkansen back to Tokyo and had a spacious airbnb apartment just behind Ginza which is pretty convenient. I visited heaps of art and photography museums and saw a huge and brilliant Miro exhibition. I went to my first big baseball game at the Tokyo Dome and that was a pretty exciting experience. It is all so wonderful that I am heading back to Japan in 2026 to see more of Kyoto and Tokyo (this time in hotels with lap swimming pools!).
My longest trip this year was via a round-the-world ticket, taking in Bangkok, Copenhagen and New York. Bangkok was just a relaxing few days in a well situated hotel that has a beautiful 25m outdoor lap pool. Then it was on to Copenhagen via Helsinki (the Finnair stop). It was my second time in Copenhagen and I jagged a well situated, beautifully appointed airbnb in a traditional old apartment building. Once again I visited many museums, galleries and the Black Diamond Library but the highlight was a Banksy exhibition at MACA. I even spent some time over coffee with the exhibition curator! I took the train up to Louisiana MoMA to see it again and to see their huge Robert Longo exhibition, which was great. It was, however, really crowded. Before leaving for NYC, I walked down to the Copenhagen Ironman bike course (passing through the city) and photographed the race leaders. The canal water seemed too cold for swimming in Denmark, so I enjoyed staying in the luxurious Equinox hotel in Hudson Yards (NYC) that had an indoor lap pool that I used every day. Disappointingly, quite a few favourite museums were either closed, doing exhibition changeovers or had exhibitions of no interest to me, but I did enjoy my time in the Whitney, MoMA, the Metropolitan Museum and wandering around the 9/11 memorial area. Manhattan now has many new high rise buildings that I’d not see before, but I balanced the new with return visits to St Patrick’s cathedral, the Chrysler building and the Main Concourse in Grand Central Terminal.
Back home in Sydney I resumed my normal routine again, started planning a big trip to Sweden and Iceland in 2026 with Gregor of Newcastle and hosted a visit by Paulie of Canberra who was running the Sydney marathon. As well as our regular weekly trivia, the swim mob all went to drag trivia in Sydenham with Jackie Daniels. This year is my third year of regular Monday night rehearsals that started in October, with the 400-strong Radio Community Chest choir in St Stephen’s church in the city for our performance of Handel’s Messiah in the Sydney Town Hall on 13 and 14 December. We’ve had the last ACO concert that I enjoyed not a lot, but I am looking forward to another performance of Beethoven’s 9th in the Sydney Opera House and then a more intimate performance of Handel’s Messiah with the Pinchgut Opera in the City Recital Hall, Angel Place.
You can view a pictorial record of most of this in albums covering each trip/country here https://www.flickr.com/photos/malbooth/albums/ and I hope to provide separate updates about my Kindle reading and podcast listening on this blog as usual. Goodwill to you all!
Happy Holidays!

Wassail! Wassail Wassail! I began 2024 in Lorne, staying near Gary and swimming in the surf every day. I bought a fantastic big new painting at QDOS Fine Art and was able to photograph the famous Pier-to-Pub swim.
After driving back to Sydney via a night in Albury I got back into my regular grind of swimming with my gang at Victoria Park, regular ACO concerts with Gregor and Trivia nights at Carlisle Castle pub on Wednesday nights with the Olivia Newtown Johns team. There were also a few lunches with Gregor in Alexandria when he was down from Belmont volunteering at the ARHS. And some of the swim gang continued our semi-regular Friday night drinks, mostly when Roger was back in town.
In March I had a couple of relaxed weeks in Hawaii, just on Oahu, swimming in the ocean and learning more about a new camera and lens. My long-time US friend Jamie was back there for most of it and once again she was really generous with her hosting. I have learnt a heap about Hawaiian culture thanks to her knowledge and guidance. I also was lucky enough to be there for the absolutely beautiful Nagaoka Fireworks which I photographed from Magic Island. I think these are the best I’ve seen.
Once again, Easter was with sister Mez, her husband Phil, Jan, Brian and Gregor came down from Newcastle.
I visited Japan for the first time in June and spent a couple of weeks there just in Tokyo and Kyoto, travelling between the cities on the Shinkansen fast train. I took a train to Nara for a day from Kyoto. I was amazed by just about everything that I saw and experienced and have already booked flights to go back in 2025. I didn’t manage to do any swimming but I did take a lot of photos and kept myself very busy seeing far too many temples and shrines and some fantastic exhibitions at various galleries and museums.
In July I made a quick trip to Bangkok, just for a week and this was my first visit for almost 40 years, the last time being for work. I was surprised by all the new high-rise and the modern transit systems, but the horrendous traffic has survived. I wandered around during the day with my camera and also did a fair bit of swimming as my hotel had a great and empty (of people) lap pool. I also had a swim and a couple of pool-side lunches at the British Club (courtesy of my Tattersalls membership).
This year my major overseas trip was in September to Helsinki and Berlin (yes, again, I know). I had a full week by myself in Helsinki, where there are many museums and galleries and I also toured the historic and still well-used 1952 Olympic stadium. Once again I swam most days in the outdoor heated pool that floats in the Helsinki harbour. I then had two weeks racing around Berlin with Karen and Bruce. We went to a big concert and saw some great art and photography exhibitions. Bruce and I did some great photography excursions and it was great to catch up with their daughter Georgie and her boyfriend. I did manage to swim just about every day in the freezing Sommerbad Kreuzberg pool too. We also did a very enjoyable day trip by train to Potsdam. On my last full day I saw and photographed the Berlin Marathon, which basically shuts the city down, and I was amazed by the fast times.
Back in Sydney I tried to get back into my regular swimming routine and one of the highlights was a Coldplay concert out at Homebush with Mez and Phil that was very enjoyable. I also had regular Monday night rehearsals from October, with the 400-strong Radio Community Chest choir in St Stephen’s church in the city for our performance of Handel’s Messiah in the Sydney Town Hall on 21 and 22 December. This will be my second year of this.
My last trip away was in late November for just four days in Melbourne. I flew down for a performance of Beethoven’s Ninth Symphony by the MSO & Chorus. This was brilliant in the 200th anniversary year and the soloists were superb. I found a great airbnb apartment on the 66th floor of the Australia 108 building in Southbank and stayed there with Gary who came up from Lorne. The views were great and we took advantage of Melbourne’s art galleries, markets and restaurants.
You can view a pictorial record of most of this here www.flickr.com/photos/malbooth/ (highlights are in a previous post on this blog) and I hope to provide separate updates about my Kindle reading and podcast listening on this blog as usual. Goodwill to you all!
Images From a Week in Bangkok, 2024






























































































Not the Lonely Planet Guide to Tokyo …
I’ve just returned from a couple of weeks in Japan in which I visited Tokyo, Kyoto and Nara. I had plenty of friends who gave me some advice and I bought the latest Lonely Planet guide book to read before departing. I was progressively uploading photos to Flickr during my visit and a couple of people asked me for any tips and recommendations that I had for those about to visit, so I started writing a few notes on things I had found important, fantastic to see/visit and useful for travellers not familiar with Japan.
Before you leave:
Get hold of a recent Lonely Planet or other guide book for Japan and read up on general advice for travellers and their recommendations for the cities or regions you will visit. I thought the latest edition was far too heavy to take with me so just took photos of the pages on the three cities I was visiting and uploaded them to the photos app on my laptop. That, or take some written notes with you.
Download the Google Maps app and learn how to use it “on the run” before you go. It is an absolute necessity. Using it with some bluetooth ear phones is probably wise so you don’t annoy others when you are being guided on a trip.
Download the Google Translate app and learn how to use that too. It is really useful in Japan as people want to help, but often don’t have enough English.
Download some e-sim apps and compare their coverage and data plans. I used FLEXIROAM and found their e-sim had good coverage in Tokyo, Kyoto and Nara. It was also incredibly cheap: about A$28 for 10GB of data over 30 days!
Start using WhatsApp as that will allow you to make phone calls with your e-sim plan and when on wifi, rather than paying for a more expensive (and in my experience less reliable) calls and data sim package.
Get a Revolut (Visa) card and use that for purchases in a foreign currency. It saves on transaction charges and you get the conversion rate on the day of your purchases. You just upload your own A$ to it from your savings and it operates everywhere as a debit card. You can also use it to withdraw some cash (yen) that you will need in some places (train stations, temples, shrines and other tourist attractions that only accept cash).
If you can afford it, line up a local guide for a day or half-day on your first full day as they will help to familiarise you with a few key attractions and the best ways to get around (principally the metro in Tokyo). I used a great one-on-one guide from https://www.toursbylocals.com who was a photographer and he was fantastic in both Tokyo and Kyoto. I noticed that quite a few are booked well in advance. For me these two days were well worth the money. You can search on the expertise of the guides and also on the tours they give.
Find yourself a small and light day-pack for your daily carry items (camera, sunscreen, passport, wallet, ear phones, phone, sun hat, mask, anti-bacterial wipes, etc.). This seems rather obvious, but I forgot to pack mine when travelling to Europe last year and had to buy one in Helsinki.
Get some comfortable sturdy walking shoes. In Japan I was using the metro (subway) and buses extensively and still walking up to 23k steps some days when walking around certain interesting districts, between temples in Kyoto and within parks. I recommend trail running shoes by Karhu (Ikoni Trail) and Salomon (Ultra Glide) because they are both comfortable and have very durable soles.
If you are flying into Tokyo, both airports (Haneda and Nareda) are a long way from the city centre and there are a few options to travel from them to your accomodation. Once you know where you are staying, search for the best option to get to/from the airport and note the closest metro station and the line it is on. Write it all down. A taxi or Uber-taxi will cost upwards of $70. Using the metro or monorail may involve a change of trains, or as I did you may find you are on the right line, but it is a limited express train that does not stop at your closest station (oops!). Be prepared in advance as you may well be tired after a long flight. The staff at the airport train station are very helpful.
When you are there:
Yen coins and notes are really handy, especially for a quick train ticket and at some venues. A little coin purse is handy so they do not spill everywhere.
In Tokyo when using the metro for a whole day the (JR) Value Pass will usually be best and cheapest option, but make sure you collect it when passing through the ticket gates (a one-way ticket is swallowed by the gate). Some private lines are not covered by the metro, so be aware you may need another ticket or pass with broader coverage. If you plan your trip using Google Maps, it will give you a reliable indication of the one-way fare, so get used to looking for it before you depart.
On the metro trains there is a really useful screen above the doors on the inside of the train that updates your progress, hopefully towards and not away from your destination. It flashes in both Japanese and English and stations are also numbered. On some screens it gives you a very accurate indication of the time remaining to get there.
The metro subways are great, but make sure you note the recommended exit and then look for it when you get out at your destination.
If you get off the train and your ticket will not work or you realise that you made a mistake with your fare, look for a “Fare Adjustment Machine” that will usually be either side of the exit gates. You just put your ticket in and it tells you how much more you need to pay. Easy as pie.
Be prepared for crowds or plan to avoid them if possible. I think Tokyo has more than 30 million people in an area smaller than Sydney or Melbourne. It is, however, really efficient at moving them all around. Just remember you’re not the only person on the planet and you’ll be OK. Eventually you’ll find a seat on your train or get to the front of the line.
Convenience stores, drug stores and grocery stores are all over the place. Just search for them. I found 7-11 a better option than Family Mart in convenience stores. You can also easily search for decent cafes and bakeries. Eating options are literally everywhere and at all levels of cost. I didn’t have any bad experiences and a couple of times I had no idea what I was eating.
Uber-taxis are a good option at the end of a long day or when you are tired. Booking it on Uber means you don’t need to hail a taxi and then stuff around with payment transactions at the end of the trip.
Museums are mostly all closed on Mondays, so plan on doing something else, e.g. (gardens and parks, shopping, temples and shrines).
If you plan on shopping or you are one of those people who simply cannot resist a surprise purchase should the opportunity arise, keep your passport with you. (I didn’t as I was scared of losing it!) Some Tokyo stores actually deduct the tax on a machine in their store if you have your passport or even a photo of the main page. I think that can save you around 10% on big purchases.
Some recommendations for things to see and do in Tokyo:
The Tokyo Photographic Art Museum is brilliant and puts on really stimulating and very well curated exhibitions. I saw three there on my visit. It was well worth it and one of the highlights of my whole trip.

The National Museum of Modern Art (MOMAT) has a great permanent collection and usually a wonderful exhibition. I enjoyed a great lunch there in its restaurant. It is very close to both the Imperial Palace and its grounds and famous bridges and the Science Museum (if that is of interest). From there you could easily wander back towards Maranouchi Square and the main Tokyo Station.
Depending on where you are staying it could be worth finding the historic Nihombashi Bridge and then having lunch or getting some food from the nearby Nihombashi Mitsukoshi Main department store.
The Museum of Western Art in Ueno Park has a great permanent collection and I saw a fabulous illuminated manuscript exhibition there too. Nearby you’ll also find the Tokyo Metropolitan Art Museum, the Tokyo National Museum, the National Museum of Nature and Science and the Ueno Royal Museum.
Take a long stroll through Ginza and stop by: Ginza SIX (fabulous shopping mall with boutiques and stores for all and a great rooftop garden): the multi-floor Itoya stationery store; the huge Muji flagship store; and department stores like Mitsukoshi.

Kakimori stationery store in Taito City (perhaps on your way to or from Senso-ji?) that makes its own ink, pens, nibs and provides specialist papers and you can even design your own notebook.
Walk up the busy Nakamise-dori Street to the Senso-ji Shrine & Pagoda and surrounds.
A quick visit to the Tsukiji Hongwan-ji Temple, then walk on to the Tsukiji Outer fish markets and on to the beautiful Hamarikyu Gardens.
Walk the Omotesando Hills shopping strip and walk to and around the Meiji Jingu Shrine park. This could be combined with a visit to the Nezu Museum if you start at the Shrine. The Shibuya Scramble Crossing is not that far away and should not be missed – either afternoon or early evening.
I visited the National Art Centre Tokyo in Roppongi and while the building itself is interesting, I did not enjoy the art exhibitions at all.

The Tokyo Metropolitan Government Building Observation Towers (south or north – free) offer outstanding and 360 degree views high over all of Tokyo and to Mount Fuji on a clear day. You can also wander by the very attractive Mode Gakuen Cocoon Tower (nearby) wander around Shinjuku itself.
Other options, depending on your tastes and what is on include the Sumida Hokusai Museum and the Museum of Contemporary Art, Tokyo, but I ran out of time.
2023: My Year in Images











































What is Inevitable about UTS Library (Pt 3 of 3)

In The Inevitable, Kevin Kelly discusses every surface becoming a screen in the Screening chapter, but this technological force isn’t just about converting surfaces into screens. He also discusses the possibility for libraries to become platforms for cultural life within their communities and he writes of the importance of encouraging contemplation and how online activities can provoke action. I think we’ve done some of this with our Artist-in-Residence and Curations programs. They’ve both led to ongoing actions and we think they inspire contemplation and further thought with at least some of our users. These programs have certainly had Interactive elements, with the current Artist Timo Rissanen actually creating his work in the central library stairwell over several weeks. Our Artists have asked questions of us and what we do that we’d not have asked of ourselves. This has enabled some reflection on our part and led to improved services, including with our search and discovery platform and our way finding signage.

http://www.lib.uts.edu.au/about-us/artist-residence-program/shelf-life-exhibition
At UTS Library the influence of Chris Gaul (our first Artist) cannot be overstated. He has had a significant impact on how we view our collections and this has led to ongoing improvements to discovery as well as search interfaces. His pioneering Spectogram has been recognised and reflected upon by several of our subsequent artists. He played a significant part in establishing a design-led visual identity for UTS Library.

Elisa Lee and Adam Hinshaw were asked to artistically interpret the use of our new Library Retrieval System in 2014. This ambitious project resulted in a truly amazing live data visualisation of the requests and returns to this huge robotically served underground storage system. Their work was inspirational and playful. It also added an important dimension to our identity as experts in data at a time when UTS was focussing itself on the importance of data and data analysis.

http://cargocollective.com/thebookis
Zoë Sadokierski followed Elisa and Adam in 2015. She has been a long time collaborator with the Library through her design work on various experimental formats for ePRESS, in her artistic installations within the Library and by sharing her research on the intersection of print and screen technology (as opposed to the myth that circulates about these two being competitors). Her Residency explored the very nature of the book through research and by producing artist’s books. She also conducted a very interactive and collaborative production of a book live at the 2015 Sydney Writer’s Festival. Like previous artists her work has had a very significant impact on our visual and physical identity as a library.

Starting in late 2016, we added digital literacy kits to our collection. Including low cost technology like Sphero, Makey-Makey and basic VR, these kits have been incorporated into both our own staff development and our educational programs for academics and students. They represent a playful way to introduce technology literacies, expanding on our traditional role in developing information literacy skills.

What is Inevitable about UTS Library (Pt 2 of 3)

Open Access is something we strongly believe in at UTS Library. We have taken action in many dimensions: to improve our institutional repository; as an advocate for OA at UTS (& the sponsor of our institution’s OA policy); through our active OA publishing arm – UTS ePRESS; by participating in various OA related events and initiatives; and though our advice and assistance on all things OA to students, researchers and academics at UTS. UTS ePRESS has experimented with new forms of scholarly publishing that harness the potential of the web and digital communications and therefore question the very nature of traditional publishing. We’ve encouraged and modelled more open licensing to permit reuse and we continue to support the early days of the OA movement. Some examples of all of this are found in the following images.

Our institutional repository was substantially remodelled and fully integrated with the University’s research management system recently. We established new workflows to decrease or eliminate manual processes and the ingest outputs, made UTS research outputs far easier to find on the open web and have substantially increased our reach accordingly.

http://epress.lib.uts.edu.au/books/anatomy-quizbook
The Anatomy Quizbook was our first OER. This was also our first experiment with interactive text and importantly we were learning while making this happen. We have more OERs planned and will build on this initial adventure.

http://epress.lib.uts.edu.au/books/lace-narratives
Lace Narratives was an ambitious and complex publication: it incorporated multi-media and was a major experiment in offering several different formats for a creative and scholarly work. An artistic process was openly shared through this publication and in a very limited edition high-quality hard cover version we were able to offer fabric swatches of the author’s textile art. This was one of our first experiments with different business models and distribution methods.

http://epress.lib.uts.edu.au/journals/index.php/pmrp
Project Management Research and Practice is a journal that is both unique in its field and which has evolved over time. The editorial board believes in OA research output and like our other journals have now achieved rigorous COPE and DOAJ standards. Their latest innovation is to publish as articles are submitted and reviewed. This “unbundling” of publishing containers reduces delays in research articles getting published and is much like the unbundling of albums on iTunes or the streaming of movies and series on demand like Netflix.

https://www.lib.uts.edu.au/open-access/learn
Our OA advocacy continues as suggested in the image above. We help others to understand OA, collaborate across boarders with like-minded people and organisations, and we raise awareness of the benefits and processes surrounding the OA movement.
End of Part 2. And Part 3 is right here. Don’t stop now.
What is Inevitable about UTS Library (Pt 1 of 3)
This is the guts of a presentation I gave at EduTECHAU on 9 June 2017. It’ll be a bunch of images, text to explain those images and a few links.
Thanks to my colleague Dr Belinda Tiffen for her assistance with this presentation: she is much smarter than me.

Last year I read Kevin Kelly’s book The Inevitable and I was struck by the way he described the 12 technological forces that he thinks will shape our future. The forces are named in the image above, but they’re not all that easy to understand. I’ve thought more about them and believe that at UTS Library we are actually making progress in all these areas, not always exactly as he describes, so I’ll outline what some of our initiatives are in the following images and text. For the sake of brevity, the only force I won’t be illustrating is Tracking, but rest assured that we are already doing some of that too and in fact you can see it in some of the examples I am using.
I am concentrating on three major areas: discovery and search; open access; and cultural and artistic stimulation.

For Discovery & Search I see our efforts are consistent with the four forces and examples illustrated above: Becoming; Accessing; Cognifying; and Filtering. We are in the process of completely redesigning our discovery interface on the basis of some in-depth UX research that we conducted ourselves. We have long taken an iterative approach to website and digital services development, and our latest work builds on that. In our UX work we have recognised that there is a spectrum of user needs and behaviours from search to discovery, so we are adding new features to aid and enhance discovery, but they are designed in a way that will not distract or delay those searching for known items and wanting to get out of there fast. Our collection development has seen major improvements with regard to collaborative borrowing arrangements and these options needed to be carefully included and distinguished in the search/discovery catalogue in order to increase the options available to our users, while not confusing them with respect to immediate availability. Finally as others like Amazon, Uber and Netflix have done we are introducing features that allow for a more personalised and tailored search and discovery experience, should the users opt in.

In response to our research insights and user feedback, the following slides outline the initial user interface concepts for UTS Library’s new search and discovery system. These solutions have been designed from the responses and feedback gathered from our previous wireframe prototypes.
The following design concepts will be developed into a working prototype where the new search engine can undergo further user testing in conjunction with the user interface.

Overall search page results in our catalogue. From left to right you see columns arranged to show search filter options; search results list and a new contextual discovery panel.
The addition of a contextual discovery side panel to provide the user with results that are personalized to the individual. This feature will assist the user in the discovery of information that the system believes will be helpful to them. Information will be displayed based on their search request and will provide related content matched to a logged in users profile.
Article results intergration: A common request amongst users of our current system is for the ability to combine Article results in a search with Books and Journals.
Using the default ‘All’ search, the new system will combine the top 3 Article results alongside Books and Journals.

This slide shows a few new features related to the item display within search results:
- Ribbon colour display: (LHS of record) Integrating the colour ribbon into the catalogue items establishes the direct link between the two. For users, this creates a better understanding of the search functionality the ribbon has. It also more directly displays the relationship between the search results and the items physical location within the library
- Shelf view: Shelf view button is located under the book cover display; this better suggests shelf views functionality to the user.
- Save item: Save item button enables a logged in user to quickly save an item of interest to a list.
- Item status: Improving the clarity of an items status means a user can quickly see an item’s availability and its location.
- Locate item: Simple and clear call to action buttons has been added to each item. This button describes the necessary action to preform in order to get the item.
- Call to action buttons (options are shown in the lower image above) The description on the call to action button indicates to the user where that item is located. For example, an item on the shelf will indicate where to “Locate item” or if an item is in the LRS it will indicate to “Request from LRS”. If an item is unavailable the call to action button describes to the user what further options are available to receive that item. When multiple resources are available for one item the button will display a drop down menu. This drop down will display the available recourse types to choose from.

Discovery of related items: The contextual discovery panel (“You may also like …” on RHS of full item page) will have the flexibility to provide related content to a particular item. On the Item page, the discovery panel can suggest related books by the same author or display items other people have viewed or borrowed.

It is of course fully responsive design, meaning the experience is fully optimised for mobile devices.
End of Part 1. Part 2 is here. Go there now. Do it. You know you want to.
“The Battle of Coral” by Lex McAulay

The crew of No. 6 gun, 102 Field Battery, photograph by Greg Ayson: https://www.awm.gov.au/collection/P01769.010
More Anzac Day reading …
This book tells the story of the largest unit-level battle involving Australian and New Zealand soldiers in the Vietnam War. A series of actions were fought over 26 days in May-June 1968 around Fire Support Patrol Bases Coral and Balmoral, north-east of Saigon. The North Vietnamese Army actively took the fight to the 1st Australian Task Force positions and even artillery gun positions fought close-combat actions.
It is an appropriate book for the Anzac Day period because the Patrol Bases included both Australian and New Zealand Army forces (as well as US Army units and elements).
Lex gives the background to this period in Vietnam and introduces us to all of the major players and the units involved. I don’t think I read this book until about 2003 or so, but over the course of my earlier time in both the Army and within the Department of Defence I had already met many of the characters mentioned. What surprised me was that over the two decades before reading the book, none of those people had sat me down and told me about what happened at ‘Coral’ in 1968. Even after 2003 as I started researching Coral and meeting with some of the battle’s veterans, most seemed very reluctant to say a lot about what happened, particularly with respect to the major NVA assault and battle on the first night (12/13 May 1968). None were boastful of their own actions and many told me that certain individuals deserved, but disappointingly never received, major bravery awards.
So all that makes Lex’s book a pretty essential record. He tells it in a typically laconic Australian manner. Lex covers the stories of most of those Australians who were wounded or killed during the battle. One well worth reading is the saga of Gunner Mal Hundt who was hit six times during the Battle for Coral on 13 May, at least two of which came from his comrades. Even as he was being evacuated, as Lex puts it “His troubles were still not over.” Mal continued to serve in the Army as a gun sergeant later on and I am pretty sure I met him during a Coral veterans’ 50-years on reunion in Canberra in 2008. He seemed pretty well adjusted to me. I like the way Lex manages to relate the way some of the soldiers kept their dry sense of humour and their ability to make massive understatements in even the darkest of circumstances.
“Anzac to Amiens” by Dr CEW Bean
“8th August, 1918” by Will Longstaff: https://www.awm.gov.au/collection/ART03022/
More Anzac Day reading …
This single volume narrative covers the entirety of all Australian forces and their involvement in the First World War. It is based on the 12-volume “Official History of Australia in the War of 1914-18”, of which six were written by Dr Bean himself. He observed first-hand many of the battles fought by the Australian Imperial Force (AIF) as Australia’s official war correspondent during that war and is noted by theUNSW historian Dudley McCarthy in the Foreword for his “capacity to convey the feelings and qualities of thousands of ordinary soldiers”.
Dr Bean was wounded at Gallipoli in 1915 and also mentioned in dispatches there. In 1916 he suggested the idea for a national museum to the Minister for Defence and in 1917 he urged the systematic collection of records which, with the formation of the Australian War Records Section marked the birth of the Australian War Memorial.
In the final chapter of this book Dr Bean says what caused Australians to enlist in the AIF was “the principle of protecting their homes and their freedom by sustaining a system of law and order between nations”, but he also recognises (in 1946) that this war did not end war itself. Later in that chapter, he writes that “only in conditions ensuring freedom of thought and communication can mankind progress”: words that ring true today.

