This is a gentle film about Ulrik, a father, played by the wonderful Jens Albinus, longing for love after the death of his wife. Like many in his small village in Denmark’s Jutland he goes for an arranged marriage with Rosita, a much younger woman from the Phillipines, played well by Mercedes Cabral. Ulrik has two sons and the younger, Johannes (Mikkel Boe Følsgaard) still lives with him at home. Johannes is a bit of a local lad, a fisherman and has a girlfriend who clearly loves him a great deal.
Rosita is ultimately a film about whether we accept the cards we are dealt in life or make some difficult choices and it is also a film about hope and love. Johannes certainly isn’t happy with his lot and when Rosita comes along he soon thinks he has found the love of his life and wants to escape with her. Ulrik, however, is having none of this and the older lion still has the smarts to run his pack.
Johannes has to decide what he really wants and whether this choice will include the burning of some bridges to his family. A few words from his father right at the end of the film soon sort that out and I am reminded of the words of Mick Jagger and Keith Richards:
Oh, you can’t always get what you want
But if you try sometimes you just might find
You get what you need
My Bruce McAvaney Specialness Rating*: 3+/5 (Somewhat special.)
Land of Mine is a very grim and sobering film. Set in 1945, it tells us a little known story of the de-mining of the coast of Denmark immediately after the Second World War. After Germany’s surrender we follow a group of teenage German boys, obviously conscripted late in the war, who were sent to Denmark to remove mines from its coastline. Apparently some 2,000 German ex-soldiers were forced to de-mine these beaches and over 1,000 of them died or suffered debilitating injuries as a result.
From the very beginning this film is brutally realistic in its approach. Perhaps it is necessary if the anti-war message is ever to be widely understood. So we are introduced to the consequences of war with an abundance of violence, destruction, revenge, loss of life, waste, blame, guilt and victimisation. Very little is held back and there are many graphically realistic scenes of sheer horror.
One of the keys to the power of this film is that the cast look and act so authentically, making in even more shocking. The Danish sergeant in charge of the group of the boys, played by Roland Møller, has obviously either seen the results of German excesses during the war itself, but we are not given any details. All of the young German boys look so innocent and somewhat ashamed of their country’s role in the war. It is so effective and powerful because I think they actually are teenagers, not 24 year olds playing teenagers as is so often the case.
As the film develops, it slowly introduces and explores other emotions and the consequences of war: loss, grief, empathy, friendship, love, sympathy and perhaps forgiveness.
The film is beautifully shot, from the scenery of the Danish coastline to the close-up shots of the boys nervous hands removing detonators from the mines.
It is such a powerful film that I wonder whether it should be compulsory viewing for any politician wanting to send young people off to war or willing to spend more money on the awful industries that manufacture these horribly destructive weapons.
My Bruce McAvaney Specialness Rating*: 4/5 (Most people would think this to be special.)