These are my (rough) notes from a UTS Speaks presentation by Professor Tom Barker, 31 March 2009.

This is the second talk by Tom Barker that I’ve attended since joining UTS about 10 minutes ago. I am now beginning to understand more about his passion for “digital urbanism”.

Interestingly, the first thing I noticed in the University’s Great Hall was that the audience began and then continued to sit on the left hand side, in front of the screen that would carry his PowerPoint slides, not in front of Tom himself. What does that alone say about our preferred means of consuming information? Do we attach any importance to facial expression at all? Do we just ignore it and place it further down our list of priorities than whatever is served up on a screen? I just did what everyone else was doing: baaa, baaaaa.

Again, Tom started his talk with a movie clip, this time from Matrix, which featured the Sydney CBD. It was the segment that asked “what is real?”

Tom posed a few concepts that might be taken up once we are over the current credit crunch. He is all about creativity and innovation and he thinks that the new creative industries are now more resilient than many others and should survive the crunch pretty well. He also thinks Australia is well-positioned to be more “e-ready” than most of its neighbours, especially within our cultural environment. We do, however, lack decent Government policy and vision (compared with others like the UK and NZ), and business/consumer adoption. So let’s look at his concepts, many of which have some relevance to our future library (hence its place in the Forums):

e-with everything

Here he referred us to a newly proposed environment in Singapore which has been designed for new creative businesses, working from home, new office spaces, new business districts, etc. It would become a hub of work, living and entertainment in one environment, mixing green spaces with business, office, residential, industrial and entertainment uses. The e-uses are no longer a separate community or space, they are integrated with everything else we do and everywhere we go.

He also described “intelligence” as our ability to adapt to different and changing circumstances.

giant clouds

Here he referred to computing clouds; creative collaboration that harnesses and exploits the power of enormous networks. They offer a tool for collaborative working. He said that the first big city to offer such a cloud will steal the march on all of the others.

global universities

Apparently we are not there yet and there is much further to go, but a start has been made (I thought about MIT and their use of DSpace here). He said that hierarchies simply do not work and that it all depends on connectivity, eg. EVO. Connections can be made and exploited in many ways, eg. the joint lectures currently being facilitated between UTS and RMIT. Student and post-graduate travel was also important in this light and he referred to a UK program where students are helping facilitate e-commerce ventures in under-developed Ghana.
He also introduced a “creativity rose” which I think he suggested using to measure the success of such ventures: the four points on the rose being economic, creative, social welfare and knowledge benefits.

banks 2.0 – try again

He showed a graphic in which Australian banks were compared to the size and value of major Western banks. The Australian banks had retained more of their pre-crash value than many well known US and UK banks which had suffered heavily from collapsed current values.
He introduced a rather radical concept of banks “trading” in currencies other than traditional stores of value (like money). Again, he mentioned a conceptual idea for the future use of London’s derelict Battersea Power Station. Tom seems particularly keen on a proposal to set it up as the new home for the British Library (which is running out of space). But it would become much more than that, by becoming a “bank of culture”, moving the British Library and the British cultural digital space into it. (This idea is in many ways similar to what we want to do with the new UTS library of the future next to the tower.) So, the new British Library plus new media and creative industries would become a bank of culture; a trading bank with its currency being “creativity”. Perhaps we could apply a similar concept to the new UTS Library, our currency being knowledge?

gen-z kids

These guys are now under 16 years of age (so they are the clients of the library of the future). They are characterised by:

• continual partial attention (multi-tasking);
• always online or connected (but not always paying attention to any one feed);
  a social conscience;
• an environmental conscience and awareness;
• (something about the structure of their life, which I didn’t get fully); and
• they are the first generation who have had parents completely familiar with web technologies.

“lymphatic systems”

These systems are important for waste disposal, energy and disease resistance. For the digital world I think he said something like “these systems are integrating when they are working and regenerating when they are not (starting from scratch)”, but I’m not sure I completely caught his meaning here. He cited the London Eye and Melbourne’s Federation Square as good public “urban” squares or spaces, but Sydney apparently has nothing like this in the open . . . yet. Another example is Berlin’s amazing Potsdamer Platz. He said that in these spaces, technology (screens made of pixels) was being used to bring the spaces alive and to make them interactive, particularly after hours. He showed an example of SmartSlab technology that will be used to broadcast live media for 40-50 UK public spaces.

outdoor media

He referred to the progression of broadcast outdoor media from simple live broadcast, to living media, to “autonomous pixels”, and finally to intelligent media (which is pro-active). UTS is involved in an autonomous pixels project for the Sydney Light Festival in May which will attempt to display uploaded facial expressions. I think their “face” will hang somewhere in the Rocks area. People will MMS photos of their face to the system and I think they will then be accumulated to show different expressions. The screen is made of pixels which are spherical, solar-powered eggs and the face itself will be shown in semi-3D. The same technology can provide a more interactive “2nd skin” for construction sites, so UTS could again lead in the use of such technology during its campus redevelopment.

Such technology is “esemplastic”, a word coined by S.T. Coleridge to convey the ability to shape diverse elements or concepts into a unified whole. (I once witnessed some amazing British minds doing this in the UK Cabinet Office, preparing complex intelligence briefs for the UK PM, but that is a whole other story.) This would be a worthy aim for the library of the future.

“beaches”

No, not Barbara & Bette. This section was his environmental and sustainability component. Energy is obviously a valuable commodity. Construction costs are also rising with the cost of production materials, but the cost of of digital pixels has fallen (recently) by over 95% and when used to provide digital lighting he said it was 90% more efficient than other forms of lighting. So, for Tom, the Internet has better environmental credentials. The downside of the Internet is that most people involved in it still do a lot more flying around the globe to make projects happen.

summing up

Tom said he was most interested in facilitating the ability for individuals to be collaboratively creative. He referred to the Renaissance model of the patron, master and apprentice as a good model for us to follow too. He spoke of technology as part of the urban fabric as opposed to a device we must attach to it. It has the potential to be more inclusive and therefore, accessibility issues should be able to be addressed. Its downsides can be balanced.

This post by Jon from Metadata Matters explains it all. Pretty well. You just need to read it. If you can’t read it all, at least read his last paragraph:

Let it go. Chaos is good. Keep your systems open and flexible. Watch. Listen. Integrate instead of compete with Google. Integrate data from the social networks. Share everything. Aggregate. Watch. Listen.

He is writing about the search for agreement on a few data standards or formats. It isn’t going to happen, so let’s give up and move on.

Anyone guessed what this is about yet? I often get a head full of new and somewhat confused ideas at ACO concerts and Saturday night at the Angel Place Recital Hall in Sydney was no exception. Well, actually it was in a way because I enjoyed the whole program and we were given two amazing encores. It was also the third in a series of experiences that I’d had in one week in which the underlying theme was delighting an audience.
Maybe I should start again at the beginning. That was going to a public lecture one evening this week by Tom Baker (who has never been a Dr Who to my knowledge) who is now Professor of Innovation, Design and Architecture in the Faculty of Design Architecture and Building at UTS. There, in a fast-paced review of digital urbanism (the melding of the physical and virtual [cyber] worlds), he spoke quite a bit about the role architecture and design has today in providing extraordinary experiences for people in our cities by designing buildings, urban environments and dwellings that while being functional and efficient (from a use and energy consumption perspective) also delight us. It seems that one of his inspirations in this field was Cedric Price. Tom introduced us to even more exciting ideas that we might be able to use on and within our new library building such as energy saving initiatives, creation of a community space, using large digital media screens on the outside of the building, etc. Maybe we should ask him to talk to us specifically about what might be feasible for our new library?
Next came reading a blog post by Jeremy Keith (the web developer and microformats advocate from the UK) about his recent attendance at the recent SXSW Interactive. His most recent post is a great review of what he saw and heard at SXSW for those of us who could not attend. What caught my eye was his reference to a talk by a colleague of his (Paul Annett: Clearleft’s visual designer) about putting “the delighters” back into web design. What a fantastic concept! So I went over to Paul’s blog hoping to find out more and he described his talk as being about “putting delightful and entertaining niceties into the websites you design”. The talk was titled something like “Oooh, that’s clever! (unnatural experiments in web design)”. He continues:
Find inspiration for innovation. See technological quirks as opportunities. Try something previously unheard of with your site design. Laugh in the face of convention. Use and abuse CSS in ways never before imagined. Get away with it. And if it doesn’t work, try something else instead.
I think that is brilliant, and not just for website design. So when I read that, having heard about him only a couple of days ago, I was immediately reminded of Cedric Price. But wait, there’s more, my journey continues . . .
For some years (nearly 10?) I’ve subscribed to the ACO series of concerts in my former home town of Canberra. But late last year I was really lucky to be offered a new job at UTS in Sydney. For those who don’t understand “lucky”: no more war; no more Canberra. I’d had enough of both. There are small patches of delight in Canberra, but there are not enough (for me anyway), I’d seen them all and they don’t change or grow much. I’ll miss some people, but that is about it. So what was I to do with my 2009 subscription? I’m not sure yet, but as my music friends are away in South America, I managed to swap my ticket to go to the brilliant Inner Voices concert given by the ACO under guest conductor and Finnish violinist Pekka Kuusisto at Angel Place. The members of the orchestra play so well under Pekka that I believe he is probably penciled in as the next artistic director should Richard Tognetti, who this year celebrates 20 years as the ACO’s artistic director, ever move on. The music of Sibelius, Bach, Andrew Ford and Timo Alkotila wasn’t at all ordinary and the whole performance was a real delight. Pekka began the night with a warm and humorous welcome for one of the composers, Andrew Ford, who was in the audience. (Bach and Sibelius were not there: I checked.)
Under Richard Tognetti the ACO plays with an infectious enthusiasm, especially for new chamber music and with guest performers. They do the same under Pekka. And I’ve seen it before when he was out here last time. Pekka plays glorious music and he isn’t afraid to flaunt his obvious love of Finnish folk music and a long Finnish fiddling tradition. That alone probably horrifies some of his chamber music audiences, but it delights me. Like a skilled ballet dancer, he makes his playing look both graceful and easy.
So what does all this mean for me? Well, I’ve moved out of the museum and the strictly-cultural sector into a university library and I’m not yet completely sure, but would it be a bad thing if we all tried to delight our users occasionally? (Maybe we already do and I’ve witnessed some people doing just that on the client service desks in the Blake and Kuringai libraries.) Soon we are to build a library of the future on Broadway and maybe that new building will do it. Perhaps, as the university’s cultural hub, it could have one of those really cool small performance spaces that well known artists ask us to perform in? Maybe it will also be a bit of a showpiece for digital urbanism, alerting and showcasing what goes on inside the building on some of its external surfaces? Nevertheless, as we begin planning for it this year, I think that aiming to delight our clients, to laugh in the face of convention and to provide an extraordinary service in that library are decent and worthwhile objectives.
That’s all!

Digital Convergence at the AWM

From: malbooth,
13 hours ago

SlideShare Link

This isn’t going to be comprehensive. It is just a few observations that I came away with from Information Online 2009. As I gave a pre-conference workshop and a keynote address, I think it is probably up to others to make more detailed observations. I believe that my keynote address has been recorded and will eventually be podcast somewhere, so I’ll link to that when I read about it. The photos used above (by Neerav Bhatt) are some of the more interesting slides that I used in my presentation.

I was a tad annoyed that many in the audience got hooked up about a minor point that I made. I said that we should not obsess so much about metadata. I think we’ve talked and debated so much about it for so long now (with very little real progress) that we just need to start making other things happen without waiting for it to be “perfected”. It is I believe, with Copyright and “stakeholder consultation”, used as an excuse not to progress things. If Flickr, Google, Amazon or iTunes had waited for us to agree on a schema they’d still not exist. I said a lot of other things, but all the metadata crusaders got hooked up on that wee point and missed all of the others. Typical.

A number of points I made and that were also made by Paul Hagon of NLA and happiness guru Liz Lawley were later re-inforced in other keynotes by Laura Campbell of the Library of Congress and the futurist, Andy Hines. (I’m very glad that we didn’t have to listen to anyone banging on about a new management theory from their recent MBA.)

I took some rough notes at Laura’s keynote address:

Keynote 21 January 2008 – Strategic Directions and Initiatives (on the Library of Congress’ last 20 years)

Strategies
1. Increasing access – American Memory, Thomas (workings of Congress) & their Learning Page – to general public and education audience (this to me was quite similar to our history in opening and broadening public access at the AWM, albeit on a smaller scale). They, like us needed to broaden access to be relevant. They have 110 million online users and 2 million onsite users (we have about 850,000 visitors).
2. Expanded offerings to new channels: embracing new partners & new sectors. Global Gateway – vast foreign collections. eg. the national newspaper program. Can search 1,000s of newspapers. 1 mill online now(?). Flickr Commons pilot – 3,000 images offered (Depression photos) – 10.4 million views in a few months – inviting user annotations and descriptions – all captured. Viewership up. They also arrangement with You Tube.
3. Networks – NDIIPP & WDL – changing work in the future:

• National Preservation Program (NDIIPP) – $100m in 2000. Guided by NDSA Board (all 27 of them). The Preserving Digital Heritage report in 2002 mapped out strategy for distributed network of trusted partners (never to be centralised). Goals – included at-risk content, identification of tools & partners, developing a strategy. 130 partners because even LoC can’t collect everything. Infrastructure addressed to share content. Had eight consortia groups for geospatial, political business/economics, cultural, public & social services data. They have 70 Tb of data. Partners include: universities, broadcasters, commercial enterprises, states, federal agencies, new businesses, tech companies, and other national libraries. Also IIPC – the international internet preservation consortium. 37 member libraries working on this now. they resisted temptation to start with by-laws and got on with accomplishing it. A sensible way to move forward. Now have 248 Tb and they are expecting 650 Tb by 2013. Laura: “Taking early action allows you to learn by doing!”. She also put up a slide about them being catalytic, collaborative, engaging multiple platforms, leveraged networks, shared resources.

• WDL – prototype launched with UNESCO a couple of years ago. No “show-runners” – all their own content. 25 partners now. You can browse by locations, type, time, institution, etc. – for books, manuscripts, maps photos, film and sound (more audiovisual than anything else); heaps of intelligent search (via annotations, curator videos, etc.); multi-lingual (translator services). Memory packages are available. They’ve set up a mirror site at Alexandria. See their online concept video (it is pretty good). (Prototype and Concept videos available here.)

Final comments from Laura: it is not the technology that is the hard part, it is the human element. That will never change. She also mentioned making choices about what work you are in. She said her early work at the LoC was “triage”, then pushing out content, and now building on all of that and embracing networks, and solutions. They did consult some wise gurus about the future to learn about the driving forces of the future. “Creative collaboration is the key to future invention and innovation.” Not a perfect story, but a lot to be said for real collaboration – not easy, but a lot to be said for it when it works.

I didn’t take many other notes that I can pass on right now. I took some notes from Andy Hines’ presentation, but left them at home today on another laptop.

I did like what the State Library of Victoria is doing to connect with students, principally using their Inside a Dog website. Great stuff.

Oh, I almost forgot: Libraries Australia (courtesy of Paul Hagon) have now started their own Ning site, so check it out.

Yes, sorry. I spent much of November away in Iraq and the Northern Arabian Gulf on a curatorial/collecting visit with some elements of our defence forces. It is the first time the Australian War Memorial has ever sent an archivist/librarian to a war zone and only our second curatorial visit since the Second World War. I took about 2,000 photographs for our collection, gathered a lot of donations, recorded (digitally, using Audacity) about 30 oral history interviews, and identified some records and items we were interested in for our collection (post-deployment).
Since that time I’ve not been entirely sure about what details or images I can actually use in my blog. I certainly didn’t want to compromise the security of any of our forces still deployed overseas. It is a bit frustrating because I think their role and the good work they are doing is not well understood, particularly by the Australian public, but there it is.
Then, in December I heard that I’d won a new job at the University of Technology in Sydney. That too wasn’t public knowledge until more recently, so I couldn’t really say much about it until UTS had made a staff announcement.
It has been a really busy time for me as over the Xmas period I really needed to catalogue all of the photos that I am leaving in our collection and I had to prepare a workshop on the management of digitisation projects and a keynote address for Information Online in Sydney.
I hope to get back to posting more on this blog as things settle down, including me, in Sydney, soon.

Images on Flickr from Hawaii. I’m hoping to upload more progressively after the race.

James Nachtwey: Photojournalist

Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries.
He is the winner of the 2007 TED Prize, awarding him $100,000 and one wish to change the world. This was his wish: “I’m working on a story that the world needs to know about. I wish for you to help me break it in a way that provides spectacular proof of the power of news photography in the digital age.”
James Nachtwey’s Homepage: www.jamesnachtwey.com

This is great. Brewster Kahle speaks well and from experience. It isn’t an academic theory. I like the way he breaks down the challenge into a manageable, fund-able, do-able program. Some other observations that made me clap and cheer wildly:

• Boston Public Library’s “free to all” statement that is carved in stone & that of the Carnegie Library “Free to the People” (do we really want to be different when we push our content online?);
• producing the best we have to offer;
• not sending stuff you love to India for scanning (we didn’t either);
• aiming at US$0.10 per page, or as he says the same cost as Xeroxing;
• not scanning pages that will end up looking like a fax (or worse still a print-out from microfilm) – scan in colour for the look of the book;
• the convergence of, on one side the library world (starting with out-of-Copyright and out-of-print material) and on the other side the publishers (eg. Amazon) starting with what is currently in print; and
• favouring public (free, universal access) over private (locked up) digitisation programs (me too).

So, watch this for yourself. Even if you are not looking at digitising books, there is a lot in it. TED.com hits the mark yet again.

A while back I was in Melbourne again to deliver a couple of talks. The prime reason was a keynote for the 2008 SPERA (rural education) conference and I also talked to members of VALA one night on much the same subject matter.
I’ve uploaded the presentation (using Apple’s Keynote for the first time) to SlideShare, but as they are still sorting out a new way to bring hyperlinks with uploaded presentations, I thought I’d shove a quick post in my blog along with all of the URLs and some explanatory notes, so here it is (I’ve even corrected most of the typos!).

Notes and hyperlinks for some of the slides

Slide 4:
http://www.awm.gov.au/diaries/ww1/ This is our current major project and the diaries of all of the Australian units that served in the First World War are being uploaded progressively as we complete the scanning and checking.
http://www.awm.gov.au/database/collection.asp This is our online collection access system and users can search it for almost 300,000 digital images and catalogue records for art works, photographs, relics, and personal manuscripts in our museum collection.

Slide 13:
This slide highlights a few examples of the ways we’ve started using Web2.0 features to “tour the web” and put our content out well beyond our home website, reaching bigger social networks and engaging new audiences at the curatorial level.
http://www.awm.gov.au/podcast/index.asp RSS underpins much of Web2.0, by allowing the public to select their subscriptions and then have them delivered to them on a regular basis. The links takes you to our podcasts page. Podcasts were our first foray with Web2.0 and RSS.
http://apps.new.facebook.com/artshare/ We have just gone live with ArtShare – a program developed by Brooklyn Museum to allow for selected art works to be featured on Facebook profile pages.
http://blog.awm.gov.au/awm/2008/03/19/hmas-sydney/ The blogs have been the simplest, easiest to use model that has allowed our curators their own voice on the web about our collections and their work. Previously all content was much more formal, using institutional voice. WordPress is used by the Memorial and some of our staff use Blogger (externally, eg. this blog).
http://www.facebook.com/pages/Canberra-Australia/Australian-War-Memorial/7244252524
Facebook plunges us into growing social networks with more reach than we have and allows us to communicate with those who are more comfortable in that space. People seem more comfortable and relaxed in their feedback.
http://www.flickr.com/groups/awm/ & http://www.flickr.com/photos/australianwarmemorial/
Flickr is also a two-way process allowing us to share images with everyone and to learn from the public’s visual pointers to their interests in us.
http://www.youtube.com/user/AustWarMemorial YouTube is another vital way to engage a large audience interested in the moving image. We think it is important to re-use our content and provide interpretation of it on that large network.
http://www.pictureaustralia.org/ We’ve long been a major contributor to Picture Australia, a fantastic portal to cultural images from NLA. It is a great model for further collaborative projects along the same lines.
http://www.ning.com/ We use Ning internally as a social network platform to share ideas, learn about social media, discuss proposals and to help move projects forward.
http://www.awm.gov.au/research/browse.asp And we’ve started using del.icio.us social bookmarking to leave “muddy footprint trails” across our large website for content that isn’t well exposed or that easy to find. We are still learning what del.icio.us can do for us.

Slide 14:
http://www.flickr.com/commons We have been in touch with Flickr Commons and images from our collection are likely to be added on 11/11/08.
http://creativecommons.org/international/au/ We are seriously looking at CreativeCommons attributions to cover content that we’ve developed for our presence on the web, so as to enable its appropriate re-use.
http://buddypress.org/ As we use WordPress as our blogging platform, we will probably take a good look at BuddyPress when it goes live later in 2008. It may extend our blogs to become more of a hosted social network.
http://yourarchives.nationalarchives.gov.uk/index.php?title=Home_page Your Archives (from TNA in the UK) might offer us a good model to facilitate public contributions and a bit of personalisation relating to our archival collections.
http://en.wikipedia.org/wiki/QR_Code QR codes might be used by us in several ways to facilitate the provision of packets of information to mobile devices with cameras in and the required software. We are looking at this now.
http://www.awm.gov.au/encyclopedia/index.asp Currently we maintain our own military history encyclopedia and it is a pretty big drain on our own resources to keep adding new content, so maybe migrating the content to Wikipedia.org (and helping to manage it) or hosting a wiki where the community could contribute will work for us.
http://go.footnote.com/thewall/ We really like this mash-up that is related to the US Vietnam Veterans Memorial and we are trying to trial much the same thing with our Roll of Honour. Our trial will probably focus on the Korean War panels.